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Music Rooted In Bohemia Unites Fans In Orland Park: 'A Lot Of Polka People Are More Like Family Than Friends'

Pat Barrera hadn't been out to see her favorite music in a while.

But when she sat at a table on a recent Sunday to watch the 55th Annual Chicago Festival of Polka Bands in Orland Park, the bands quickly brought her back to a time when she would have been on the dance floor at Polonia Banquets, the "heartland" for polka functions until it closed a couple of years ago.

"When I hear some of this music, I can't dance anymore but it hits my heart," Barrera said. "I could sit here and be happy and cry, because it brings back all of these memories."

Barrera, a longtime resident of Chicago's Southwest Side, grew up in a Polish household. As a child, her mother always played a Polish radio channel on Sundays. And while Barrera cannot speak Polish well today, the traditions and the music stuck with her.

"Till today, I could sing you any song you want to hear," she said.

Mary Ann and Robert Jakubielski dance together while Eddie Korosa Jr. And the Boys and Girl from Illinois play on Sunday, Jan. 14, during the Chicago Festival of Polka Bands.

As with many music genres, some children inherited their parents' polka interests while others did not, leaving the dance music not quite as popular as it once was — and with fewer places to call home. But a polka dance still has a way of feeling like a family reunion. In fact, "family" was the No. 1 word people used to describe the appeal of the International Polka Association's gatherings.

"Once you meet somebody, you may not see them for a whole year, but when you do see them it's a huge 'How are you? What's going on?'" said Carol Trzebiatowski, of Bridgeview. "We are like family."

Trzebiatowski got into polka more than 60 years ago by working for a disc jockey at a dance. She fell in love with the scene immediately.

She helped collect admission and check in guests at the Jan. 14 festival at Elements by The Odyssey in Orland Park, which featured Eddie Korosa Jr. And the Boys and Girl from Illinois, Tony Blazonczyk & New Phaze, IPA Tribute Band, E-Z Tones, Polka Generations, and The Music Company, following a warm-up dance Saturday with Lenny Gomulka & Chicago Push.

Alongside her at the table was Sally Rzeszutko, of Chicago, who has also been following polka for more than six decades after growing up at the venues where her father played as a polka drummer.

Eddie Korosa Jr. And the Boys and Girl from Illinois perform Sunday, Jan. 14, at the 55th Annual Chicago Festival of Polka Bands at Elements by The Odyssey in Orland Park.– Original Credit: Daily Southtown

"We are all friends," Rzeszutko said. "We've known each other for a long time and love the music. I love all music, but polka's No. 1."

Tony Blazonczyk, of Crest Hill, followed in the footsteps of his father, Eddie, who was a musician, band leader and record store owner, in addition to running a recording studio.

"It was just in the blood," Blazonczyk said. "You grew up with it."

But his connections to the world of polka go beyond blood. He stuck with it because of that feeling he gets performing as part of the community.

"It's a family," Blazonczyk said. "You come to a dance and everybody knows everybody. … It's happy music. The people are always excited when they're here."

Tim Pryszcz, of Chicago Heights, and his mother, Catherine, hit the dance floor during the Chicago Festival of Polka Band. Catherine was singing during most of Eddie Korosa's set.

Dan Mateja, of Orland Park, who is the treasurer of the International Polka Association and leads the IPA Tribute Band on saxophone and clarinet, is among those who describe polka as family, noting he has friends he made in 17 states through the music.

"We're very collegial," Mateja said. "A lot of polka people are more like family than friends. We know each other. We stay at each other's houses when we travel to other states."

Mateja's parents were first-generation Polish Americans who always listened to polka on the radio. Around 8 years old, Mateja started going to events with them and never left the scene. At 15, he began playing music and found friends and fellow musicians who shared his passion.

"I love the music," he said. "It's part of my Polish heritage."

Polka is a style of dance music originally credited to Bohemia during the 19th century. But its popularity spread across Europe and then America with a variety of styles. Mateja said Cleveland is considered the U.S. Home base of Slovenian-style music, while Chicago and Buffalo are both known for the Polish style. Czech music is popular in Texas, while Wisconsin features German-Dutch polka.

"It's a little different all over," Mateja said. "Many of the mainstay cities where Polish and European immigrants came to live are still going strong — Chicago, Pittsburgh, Buffalo, Cleveland, places on the East Coast, as well."

But Christy Krawisz, the IPA's president for the past five years — after a six-year stint on its board in the 1990s before rejoining it in 2010 — knows the work it takes to keep up the traditions. She got into polka as a child by going to dances to see her father play accordion. She witnessed countless events draw 500-600 people and enjoyed seeing IPA's Hall of Fame housed upstairs at Polonia.

Krawisz has also watched Polonia close and along with it the Glendora House in Chicago Ridge, which hosted events for more than three decades. The Hall of Fame is currently in storage. And yet, polka endures as not only a great form of entertainment and good cardio exercise but also a way to make lifelong connections, Krawisz said.

Tony Blazonczyk & New Phaze perform Sunday, Jan. 14, during the 55th Annual Chicago Festival of Polka Bands at Elements by The Odyssey in Orland Park.

"I fell in love with the music," she said. "I met my husband in polkas. … I met a lot of great people in the industry. I consider a lot of them brothers and sisters because I've known them my whole life. It's a wonderful experience. Everyone's so kind, so friendly, and we all have the same love for music."

Elements has been a great partner as IPA's latest home for an annual festival designed to recognize January as National Polka Month, Krawisz said. A lot of the people who used to attend the events in Chicago moved to the Orland, Palos and Tinley area. And band members hail from the likes of Orland Park, Mokena, Palos Park, Palos Hills and Crest Hill.

Though with an aging following polka attendance often fluctuates based on the weather, Krawisz said the annual dance, always held the weekend of Martin Luther King Jr. Day, has never been canceled in 55 years.

"The people who come have a good time," Krawisz said. "The bands always make you feel like you're somebody important. It doesn't matter if you're new or if you've been here for 50 years. The bands just really make it a fun environment."

Krawisz encourages others to give polka a try, even if they might be skeptical, and understand that there are a variety of styles. A number of polka bands are even incorporating other genres into what they do — from country to bluegrass to rock.

"Have an open mind," she said. "The music is really good music."

Bill Jones is a freelance reporter for the Daily Southtown.


Royal Republic Announce New Album 'LoveCop' & Release Title Track

Surrender your ears as Royal Republic are back with the release of their new album LoveCop on June 7th via Odyssey Music.

The self-proclaimed Power-Disco quartet have also released the title track, an audacious anthem which comes with its own 80s inspired workout video to guide your groove with the infectious sweat-dripping bass lines, stadium sized choruses and explosive Van Halen-esque guitar solo.

The band comment, "This one is here to inform all the love-abiding citizens that you're basically free to do whatever the fuck you want. If that's not enough to make you wanna take off your clothes and dance, you are hereby charged with two counts of being a drag.

LoveCop says you have the right to remain loud! You have the right to remain wicked. So put your hands behind your head... And dance!"

Produced by Adam Grahn and Michael Ilbert at the legendary Hansa Studios in Berlin, LoveCop is the band's fifth studio album and sees them at their most bold, brazen and brilliant. The band also recently teased the upcoming album with the release of 'My House', which is another dirty guitar driven, funk-fuelled feisty anthem, which the band proclaim is "the latest weapon in the fight against bad parties." Watch the video here.

Breaking all rock'n'roll norms since 2007, the Swedish power-disco quartet are formed of Adam Grahn (vocals), Hannes Irengård (guitar), Jonas Almén (bass) and Per Andreasson (drums). They first came onto the scene with their 2010 debut album We Are The Royal, which features the hit single 'Tommy Gun', and have evolved through albums like Save The Nation and Club Majesty.

Also known as a tour-de-force in the live arena, the band have been announced for this year's Download Festival playing on Sunday June 16th, where their irresistible blend of sass, riffs and puns will enthrall audiences again.

Royal Republic's unfettered joy in their craft is contagious so get ready for a musical rollercoaster as LoveCop will melt your hearts and set fire to your speakers.

A sweaty one-night stand between Metallica and Michael Bolton, LoveCop is here to free you from your shackles and read you your rights.


D'Monae's Musical Odyssey From Mobile To Music's Spotlight

Emerging from the vibrant music scene of Mobile, Alabama, D'Monae is making significant strides in the industry with her distinctive blend of soulful melodies and poignant lyrics. From an early age, the artist displayed a natural inclination for music, kindling a passion that would become the driving force behind her emerging career. Although born in Jacksonville, FL, D'Monae's roots in Mobile have shaped her artistic identity, adding a unique flavor to her sound. Setting herself apart from the mainstream, D'Monae places a strong emphasis on delivering meaningful messages in her music, consciously steering away from a reliance on sex appeal. This commitment to substance over superficiality showcases dedication to giving fans authenticity in her storytelling in an era where fake and image often takes precedence. D'Monae draws inspiration for her music from iconic figures in the industry, with influences ranging from Janet Jackson and Beyoncé to SWV and Brandy. Her deep appreciation for old school music permeates her work, as she endeavors to reintroduce substance and meaning into an industry dominated by fleeting trends. Advertisement D'Monae has already garnered recognition in her short career, winning Mobile's Best R&B Video Award and a sponsorship from Mobile Alabama's  #1 talent agency TSIW (The Streets Iz Watchin) This accolade is a testament to her ability to create visually stunning content that resonates with a diverse fanbase. Collaborating with Trevor James, known for his prowess in visual storytelling, D'Monae continues to elevate her artistic expression. The future holds exciting prospects for D'Monae's fans, with an eagerly anticipated single titled "Used 2" in the works. Featuring a Faith Evans sample, the song delves into the complexities of relationships, expressing the weariness of conflicts and the yearning for resolution when both parties are committed to the journey. As D'Monae continues to carve her niche in the industry, fans can anticipate an upcoming EP and a cascade of visually striking content. With an unwavering dedication to meaningful storytelling, soulful melodies, and a fresh perspective on music, D'Monae stands as an artist poised for enduring success. To experience her musical journey, be sure to explore D'Monae's work on Spotify and her YouTube channel.




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